Hashiguchi Goyo Giclee Repro Print c1918 "Woman Applying Make-up" 7.5x10 Chashaku The top panel bears the

The top panel bears the Three Abundances — 福祿壽 (Fú Lù Shòu: Fortune

the composition uses fine etched line and soft aquatint tones to stage a quiet dialogue between interior and landscape

published by Kiya Sakutarō (木屋作太郎板)

dense columns of satirical text in the characteristic style of the series caption writer Nishimori Takeki (1861–1913)

This is an 19th century antique Chinese table from the Qing dynasty

Hashiguchi Goyo Giclee Repro Print c1918 "Woman Applying Make-up" 7.5x10 Chashaku The top panel bears theGoy Hashiguchi () (1880 Feb 1921) Woman Powdering Her Neck (1918) Considered one of the masterpieces of the Taish era shin hanga movement, this print captures a woman in an intimate, graceful moment, viewed from behind as she applies face powder to the nape of her neck. Goys refined linework, delicate color gradations, and masterful use of mica lend a soft, luminous atmosphere that heightens the sense of quiet elegance. First published in 1918 (Taish