(1999) Verdi: Requiem (Live Recording, The Hague 1970) id_qobuz:http://www.deezer.com/album/132231 but to portray the «spirit»

but to portray the «spirit»

The works on this recording could be described as ‘theatrical music’ or could be given a title such as ‘Music for Theater’ – they are the setting for vivid life and activity

Astrig Siranossian has been a guest of several festivals

she set herself the intrepid challenge of recording all of Beethoven’s Sonatas (there are 32 of them after all) in just under a year

as well as a single gestural and musical impulse

(1999) Verdi: Requiem (Live Recording, The Hague 1970) id_qobuz:http://www.deezer.com/album/132231 but to portray the «spirit»Verdis Requiem stands at the summit of nineteenth century liturgical music. First performed in a church in Milan in 1874, it is written in a musical language closer to the dramatic than to the devotional. Verdis intention was to express the emotional meaning and implications of the liturgical text, doing so with the musical tools that he mastered as a dramatist. Free to reveal something of his own attitude to death, he did not indulge in gentle