(1997) Claude Gervaise : Danceries (A quatre parties) Dominique Roggen His repertory has always been

His repertory has always been extensive

Here the clashing miscellany of the previous movements congeals into an expressive monologue

she extended her discography with a recording of Liszt’s 12 Transcendental Studies under the Swiss label Claves Records

like a dying swan

to which her step-mother refused to take her

(1997) Claude Gervaise : Danceries (A quatre parties) Dominique Roggen His repertory has always beenAlongside Italy's prolific but also highly inspired, sometimes to the point of grandiloquence, a less rhetorical but more playful musical genre was developing in France: the air de danse. The melodic theme of each dance was commonly called timbre. These airs appeared in a variety of forms, depending on the audience for which they were intended: sometimes they were called harmonized danse de cour, sometimes dancerie (the term used by Claude Gervaise).