流行通信 Ryuko Tsushin vol.489 (March, 2004) BANANAFISH BOOKS 和田夏実

和田夏実

The image itself becomes an arrangement

Brandon LaBelle

BANANA BONE

and affective valences of the site-specific installation

流行通信 Ryuko Tsushin vol.489 (March, 2004) BANANAFISH BOOKS 和田夏実* 489 471200294942004820046 idea 317 (July, 2006) Kuzunari Hattori 100 pages Ryuko Tsushin was a magazine that, despite its primary focus on fashion, exerted a profound influence on the landscape of Japanese graphic design. Over the years, its art direction was helmed by distinguished figures such as Tadanori Yokoo, Ikko Tanaka, and Kazunari Hattori. Starting with its renewal issue, Vol. 471 (September 2002), Kazunari Hattori assumed the role of art