Erora daisango kutsuin (Ellora, cave temple no.3) by Yoshida Hiroshi, 1932 linköping This evocative work is a

This evocative work is a masterful example of the shin-hanga (new prints) movement

Audubon's life-sized illustrations brought his subjects to life with unprecedented detail and vibrancy

a homesick visitor

dark letterforms balance the bright landscape

Medio Campidano

Erora daisango kutsuin (Ellora, cave temple no.3) by Yoshida Hiroshi, 1932 linköping This evocative work is aErora daisango kutsuin (Ellora, cave temple no. 3) by Yoshida Hiroshi (1932) is a luminous shin hanga woodblock print that transforms an ancient Indian sanctuary into a quietly majestic interior of light and stone. A leading figure of Japans early 20thcentury print revival, Yoshida travelled widely, translating real places into poetic atmospheres. Here, he contemplates the rockcut colonnades of Ellora, balancing the mass of sculpted pillars with soft